| 2025 | Teatro Romano Brescia | illustration, motion graphics, typography, visual identity | architecture, culture, design, institutions, theatre | Fondazione Brescia Musei |
| 2024 | Bioma musiche radicali | campaigns, digital & web, typography, visual identity | culture | Usmaradio |
| 2024 | Italienisches Kulturinstitut Berlin | digital & web, editorial design, merchandise, motion graphics, typography, visual identity | culture, education, institutions, publishing | Istituto Italiano di Cultura di Berlino |
| 2023 | Inspiring Shanghai | editorial design, motion graphics, typography | culture, publishing | DG2CI Shanghai Consulting and Communication |
| 2023 | Edizioni EL & Einaudi Ragazzi | digital & web, editorial design, illustration, merchandise, motion graphics, typography, visual identity | arts, design, publishing | Edizioni EL |
| 2023 | NordEst Multimedia | strategy, typography, visual identity | culture, publishing | NordEst Multimedia |
| 2022 | V Muse | typography, visual identity | corporate, retail | East Langkun |
| 2020 | Giardini Pensili 35 | campaigns, typography, visual identity | culture, theatre | Giardini Pensili |
| 2020 | Banca Patrimoni Sella & C | strategy, typography, visual identity | corporate | Banca Patrimoni Sella & C |
| 2018 | AereoTreno | environmental graphics, typography | arts, competition, design, institutions | Trieste Airport |
| 2018 | Tecno Nomos 30 years | environmental graphics, typography, visual identity | corporate, design, exhibition | Mondadori Editore, Tecno |
| 2018 | Banca Sella | strategy, typography, visual identity | corporate | Banca Sella |
| 2017 | Walter Benjamin. Tolgo la mia biblioteca dalle casse | editorial design, typography | culture, publishing | Electa |
| 2013 | MAST. | editorial design, environmental graphics, merchandise, signage, strategy, typography, visual identity | culture, museum | Coesia |
| 2012 | Musée national du Château de Versailles | environmental graphics, typography | arts, culture, institutions | Ministère de la Culture et de la Communication, Musée et Domaine National de Versailles |
| 2011 | George Hogg | merchandise, typography, visual identity | corporate | Benetton Group |
| 1994 | Fahrenheit 451 | poster, strategy, typography | culture, design, exhibition, self-production | autoproduzione |
| 1992 | Epeo | editorial design, illustration, strategy, typography, visual identity | architecture, arts, culture, publishing, self-production | autoproduzione |
| 1985 | Frontiere d’avanguardia | environmental graphics, exhibition graphics, illustration, typography, visual identity | arts, culture, design, exhibition, institutions | Provincia di Gorizia |
| 1977 | Tavole parolibere e tipografia futurista | exhibition graphics, typography, visual identity | arts, culture, design, institutions | ASAC Archivio Storico Arti Contemporanee |
| 1977 | Russolo. L’arte dei rumori | exhibition graphics, typography, visual identity | exhibition, institutions | ASAC Archivio Storico Arti Contemporanee |